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August/September 2010
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2010
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t is no accident that many of the visitors to toy museums are multi-generational groups – parents, grandparents and children arriving together to gaze at doll houses, dolls, miniatures and other toys. These museums remind adults and seniors of carefree moments spent playing, or of that special toy their parents may have passed down through the generations. And with the help of museum stores, today’s children get to play with the toys of the past through the purchase of replicas and kits or to enjoy modern items that could become collectibles in the future.
Gift store merchandise relates to the mission and content of the Delaware Toy and Miniature Museum in Wilmington, Del., according to Beverly Thomes, founder and director. The museum’s other founder is Gloria R. Hinkel. The museum opened in 1994, starting with a collection of doll houses, miniatures and sample-sized furniture passed down to Thomes from her mother. Antique dolls, toys and childhood playthings have been added and overall, the pieces date from 1770. The facility has gained international attention. In 1996, after being discovered on the Internet, the museum was invited to exhibit 50 furnished dollhouses for a month at the Living Design Center in Toyko, Japan.
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These fairy finger puppets from Folkmanis are for sale at
The Museum Store, The Center for Puppetry Arts in
Atlanta, Ga. Fairy varieties available include Sugar Plum,
Winter, Snow and others.
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For sale in the store are educational books, antique collectibles, newer doll house accessories, collectible and antique dolls, Britains toy soldiers, miniature furniture and vases, antique Christmas ornaments, plush, wood Noah’s arks, metal and pressed tin dollhouses from the 1940s and 1950s, new doll houses, antique silver baby cups and rattles, miniature-related jewelry, post cards and greeting cards. “It’s small, we have it jampacked.
It’s about 250 square feet and we make good use of the space,” Thomes says.
Best sellers are handcrafted miniature dolls and books. Sterling silver miniatures are also very popular. “People that collect sterling silver like them, not too many people carry that stuff,” she says of the miniature silver furniture, chairs, tables, statues, chandeliers and other items. “People use them in dollhouses, tableware, plates, spoons and knives, one-quarter of an inch long, very tiny.”
The museum uses display cases, antique china cabinets, child-size furniture, round skirted tables, lighted cases and artificial Christmas trees for display purposes. “We just use it all. We use the floor, ceiling, walls. We are very eclectic,” she says. The price range at the shop is from $1 for children’s items to several hundred dollars. Museum visitors include school groups, families, senior citizens and tour buses.
“We’re very unique and our
location, we are right next to
Hagley Museum. They have
machines and we are the softer
side of things. The thing that
makes our museum appealing
is that it appeals to everyone.
We get three generations of
families coming in,” she says.
The museum’s staff are
retired schoolteachers who
have researched and learned
about the content of the facility
and who create a non-intimidating
atmosphere. “Everybody that comes in is
almost like a guest. We really do personalize the orientation
to what the group is
interested in,” she says.
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These Sesame Street character stuffed animals
from Gund are available at The Center for
Puppetry Arts’ gift shop. The store also stocks
Sesame Street puppets and a Muppet chess set.
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The museum is 4,000 square
feet and there are only three
other museums like it in the
country, she adds. And the variety
of miniatures and toys sets
the facility apart.
In April 2004 at the Toy and Miniature Museum of Kansas City in Kansas City, Mo., the museum finished a remodeling and expansion of the 580-square-foot shop and the museum. The shop gained slat walls for display, storage and shelving and was repainted and carpeted. The color scheme is an orangey
brick, olive green and peach, says Sandi Russell, assistant director and gift shop manager. “We decided to make the gift shop stand out more so we decided to use colors that weren’t part of the museum,” she says. “It’s carpeted instead of the linoleum. It’s made it a lot warmer looking and feeling. It’s a lot easier on our volunteers’ backs and feet. It’s a speckled carpet so it brings all of the colors we have in the gift shop into the carpet. It looks really nice, it’s more inviting.”
The new built-in shelves give Russell a better opportunity to display books and the items that go with them. And the free-standing shelving makes for a better flow. There is also a four-sided glass tower that is used to highlight special exhibit and seasonal merchandise. And a window shelving unit, which can be viewed from the lobby, is a great place for books, ornaments, seasonal goods and miniatures for sale.
The store also does well with Winnie and Mickey plush. Items must be at least 50 years old to be on display in the museum and the store also stocks goods that will be collectibles in the future, such as the Raggedy Ann book series, which has been republished with the old illustrations, select plush from Boyd’s and Bearington and Dept. 56 merchandise.
There are also items from Midwest of Cannon Falls. “They are reissuing a lot of beautiful pieces that have the same look, textures, of the 1920s, 1930s, 1950s, reproductions of old candy containers that we also have on display throughout the museum,” she says. Also in what the company calls its Seasons division are “cotton batting figures and ornaments. They are amazing and we sell a lot of them. They have
done an incredible job of bringing back the old look of toys and ornaments, decorative pieces. They are one of the few companies doing glass ornaments in the old shapes and colors that look like they have been around for 50, 60 years. They are just beautiful,” Russell explains.
Best sellers include a specially designed museum
patch, plush and dolls. “The teddy bear has been a
long time collectible,” she says. And when the store
can get good dolls to sell at reasonable prices they do
well. “It’s hard to find a good quality doll at a reasonable
price. Richard Simmons had a doll line, beautiful
pieces at a reasonable price,” she says. Russell said
the exercise guru and Goebel, the manufacturer of
the line, which was called Master Doll Makers, have
parted ways. “They were just a very, very good piece
for us. I just sold the last piece in stock. Hopefully
Richard Simmons is going to be out there doing it
again.”
The store also stocks magnetic board games, a
farm-related board to relate
the museum’s farm area
and a fire truck board. The
15 Game, a reproduction
of a 1950s diversion, also
sells well, as do doll, horses
and farm equipment coloring
books. “It’s hard to
find merchandise for our
gift shop, to keep it in the
realm of the collection and
affordable and of interest
to the people who are coming
to the museum,” she
says.
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Susan Kinney, who is museum manager at The Center for Puppetry Arts, photographed in January 2005 outside of the facility’s gift store with a
hand puppet display. Best sellers include small marionettes from Ganz.
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The museum gets many
parents, children and
grandparents who visit together as well as tour groups
of mostly senior citizens. It is not a hands-on facility,
with items instead displayed behind glass. It has an
extensive doll collection, and the store stocks dollmaking
kits from Gail Wilson Designs of South
Acworth, New Hampshire. The kits contain a pattern
to make a cloth doll, with hair either stitched or
painted on.
In the gift store, seniors mainly look for items for
their grandchildren. Popular with this demographic
are sock monkeys, wood yo-yos, jacks and balls and
tops, toys this group remembers from their own
childhoods. The Raggedy Ann and Winnie the Pooh
books are also popular gifts, as is the republished
1929 book, “Hitty – Her First 100 Years,” by Rachael
Field and illustrated by Dorothy Lathrop. The shop
also sells the wooden peg doll on which the book is
based. The doll can be bought as a kit that includes
instructions on making the doll and outfits from
Susan Sirkus, and as a kit with assembled dolls (Hitty
and two friends) and outfits to put together from Robert Raikes.
Winning Moves Games in
Danvers, Mass. goes by the
slogan “Classic, Retro, Cool
& Fun.” Retro games are a
good fit for many museums,
says Laura Pecci, director of
innovations and acquisition
for the company, which tries
to find games that fit in with
the spirit of the slogan. Like
the classic toys available at the
Kansas City museum store,
the games are highly popular
with adults who remember
them and like to introduce
them to their children and
grandchildren.
The company, which is celebrating
its 10th anniversary
in 2005, sells Rubik’s Cubes (both regular and miniature)
to science museums in Boston, Oregon and
Chicago. Pecci says this popular 1980s diversion is a
good fit for science centers.
“They have a fun, cool
design and it is a mental
challenge,” she says. “The science
museums carry the
Rubik’s item because it is a
natural fit. …Gift shop buyers
look for items that someone
who visits their museum
would gravitate toward.”
And at the Museum of
Fine Arts in Boston, Winning
Moves’ 1935 version of Monopoly
is in stock. The game has
a retro, clean and classic look
that art aficionados like, she
says. The museum also sells
Mille Bornes, an auto racing
game from the 1960s that features
classic artwork.
The main audiences for The Museum Store at the
Center for Puppetry Arts in Atlanta, Ga. are school
groups and families, and best selling are small marionettes
from Ganz that come in 50 styles and retail for $10.95, says Susan Kinney, museum manager,. The
styles include cats, dogs, birds, teddy bears, ostriches,
poodles and many others. They have been carrying the
item for about four months. “It’s a good price range
and they are cute as can be. It’s simple, but it does
something. It’s a simple movement to make it look
alive so kids can do it easily,” she explains.
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A view of a corner in the shop at The Center for
Puppetry Arts. Puppets hang from the ceiling throughout
this shop, where anything that can be manipulated,
including hand puppets and lots of toys, are sold.
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The museum store opened in 1980, two years
after the center debuted. The museum features old
and new puppets from far flung locales such as Asia,
Africa, Indonesia and Europe, as well as Jim Henson
pieces. The facility also owns several pre-Columbian
pieces and the overall collection ranges from hundreds
of years old to 20 years old.
The shop is 1,500 square feet and sells anything
that can be manipulated, including hand puppets
and lots of toys, Kinney says. There are replicas of
Indonesian, Chinese and Indian puppets and prices
range from 50 cents to a couple of hundred dollars.
And the shop is in the process of going online with
merchandise for sale.
Also good-selling are puppets from Folkmanis.
“Folkmanis is always a good seller. They have a lot to
choose from, they have a pretty big price range from
$12 to $60. They are well made, parents seem to
appreciate that when they are buying a gift,” she says.
The shop also sells DVDs of productions, with
three shows available currently and seven more
expected in the next year. Goods relating to shows do
well, as when the center performed the Velveteen
Rabbit and sold bunny-related merchandise. Still, it
can be difficult to tie in gifts with shows. “Three Billy
Goats Gruff, it was really hard to find a goat puppet
of any kind,” she says.
Space is a concern at the shop, so Kinney makes
use of it all. “We hang marionettes. We have a special
device to hang them from the ceiling,” she says. “We
just put them in easily accessible areas and let them
do the hands-on thing. Most of them are plush anyway,”
she says of other merchandise. The shop also
has a window facing the lobby that is themed to the
current show. For example, for Charlotte’s Web,
there was a spider hand puppet on a web and a small
pig in the window. “We keep everything well lit so it
looks bright and inviting, that’s part of it too,” she
says.
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