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August/September 2010

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Natural light enhances the environment in the Maine Wildlife Park’s shop. The store’s mix and match display units have served the attraction well.

sk six different store managers their idea of the perfect display fixture and you may get six different answers unless the answer is there is no such animal. Ask why each works best and answers bear resemblance.

What seems to serve zoo and aquarium managers and staff well are characteristics that really don’t describe pieces of wood, glass or acrylic, rather attributes that allow them to make decisions as to use. Some, where creativity or necessity reigns as the mother of invention, don’t even require predefined, manufactured fixtures to display their nature wares.

Proceeds from sales at the Nature Store, open since 1997, make tracks directly to the animals protected at the Maine Wildlife Park in Gray, Maine. Display materials are largely donated or dug up somewhere, said store manager, Sherry Wilbur.

Gratis materials include glass cases, bookshelves and tables. Hardwood shelving units were made by an employee from pine boards placed on top of 11.2 foot tall hardwood logs, split to lay flat against the wall, another free standing unit by a volunteer, along with a pigeon hole shelving unit. Peg board shelving was confiscated from a closing Ames store and the slot board was purchased by the Wildlife Park.

“We use anything we can get our hands on,” said Wilbur, though she added pegboards are quite convenient. She wouldn’t mind having something uniform for a change, at the same time realizing the added benefit of recycling of her method. “Look at nature around them, take advantage of something that isn’t manufactured,” she advised.

“The store’s income for 2006 was $95,000. “We’ve pleasantly exceeded last year’s figures at this time, so our mixed and matched display units have served us well,” she said.

Nothing out of the ordinary is really needed to fluidly manipulate the merchandise placement. “Core, classic retail outlet designs work fine as long as they allow flexibility,” said Andrew Fischer, general manager of merchandise at the multimillion dollar business gift shop of the Monterey Bay Aquarium in Monterey, Calif.


Classic retail outlet designs that also allow for flexibility work well for the Monterey Bay Aquarium in Monterey, Calif.

The reason for a store remodel a year and a half ago was to remove what Fischer definitely does not advocate, heavy, permanently fixed, limit imposing units that dictated what went where.

To create traffic throughout the kidney-shaped main gift store, glass tower fixtures allow change throughout the seasons. At times they exhibit $500 to $5000 Richard Satava hand-blown glass jellyfish domes, the store’s drawing card, other times, high-end handmade Italian glassware and platters. Well-lit with glass shelving, customers get an up close and personal look at these pieces.

In the kids’ store, bin units on wheels allow the flexibility of pulling out the Plexiglas dividers between small plush, toys and collectibles. Fischer also chose to create three-sided fixtures for added product visibility, the key to success in this category. At kid height, they’re used for the Safari Company’s scientifically correct animal program and are still in good shape, said Fischer, “Durability is a huge factor with 1.8 million people through the aquarium, and everybody touching it.”

He recently installed a corner unit to aid in plush display, and is considering a tiered one in another store for effective use of space. He had added flat wall that can accommodate slat wall or shelving. “They’re basic, but if you go with functional fixtures, the right merchandise, and do it well, you get the same results as spending a lot of money on fixtures that looks fancy in the catalog.”

He suggested use of fixtures that work for both highend items, such as gift and apparel, and for toys and games, the standard that can be adjusted with accessories.

Within limits, self-service supportive fixturing moves merchandise, a lesson learned at the Water’s Edge gift shop of the Virginia Aquarium, Virginia Beach, Va. Merchandise sells much faster in open display areas where customers can handle it, said Louise Costenbader, store manager for Water’s Edge. “There’s a little breakage, and it doesn’t work for outrageously expensive things, and I always preach to staff to keep tiny breakables out of reach of toddlers.”

The store is being moved, assuming an entirely new design concept and aquarium visitor exit. Having gone through three stores in her 22 years with the aquarium, Retail Director Ruth Ann Steenburgh is pleased to have had input on some of the fixture design, confident they will work this time. “We’ve lived with some for 10 years now that just sit there, taking up space and people can’t get to things under the glass. These will work and be very customer friendly.”

An innovative feature of the new store to be unveiled at the September grand opening is that its design and fixturing is largely an extension of the exhibit area, with an underwater feel. Steenburg designed tall thin spinners and magnet racks dramatically shaped like seaweed. Wall and moveable floor units are made of bluish green acrylic, that will blend in with similarly colored fish suspended from simulated dropped pool areas on the ceiling. Pilings of poles with barnacles and mollusks crowding around the base will have pegs spaced apart to hold wind chimes and fish mobiles.

With much more detail, top designers in the industry have been much more savvy on what works in retail, said Costenbader. “It will be a real showplace.”

Another Virginia Aquarium store, Fiddler’s Cove, complements the Salt Marsh Pavilion exhibit connected to the Open Ocean Pavilion by a third of a mile nature trail. Its natural approach to its woodsy marsh theme incorporates wood structure fixturing, a lattice work screen in one corner and rustic wooden multilevel shelving in another.


Display fixture durability is a huge consideration for the Monterey Bay Aquarium, which has 1.8 million visitors a year.

Variously sized wicker baskets hold toys, or marsh animal illustrated rubber balls. A 3 feet tall wooden Manzanita tree on a base originally supplied for magnets was painted a dark blackish color to contrast with store-themed ornaments. A wooden trellis, suspended from the ceiling, spans the width of the store for hanging wind chimes and mobiles. Reconfigurable metal and glass shelving and a shirt wall with waterfall hangar bars are both handy, allowing self-service and an easy view of every size of a style.

Proper lighting, which must work hand in hand with fixturing, is a key element in both stores, each of which have had spectacular sales well over a million dollars, with increases every month, Costenbader said.

For the unique, new plush display fixtures she hopes to obtain soon, Charman Selena, supervisor of the Wings of Paradise gift shop in Cambridge, Ontario, Canada, which approaches $50,000 in annual sales, will likely incorporate the best features of those already in place when she came on board.

For full view of product from both sides, freestanding open wooden shelves, a stacked wooden box crate type structure that fits snugly in a doorway area, easily moveable wooden or metal units on wheels, all might get a vote for duplication. Any with slats for shelves or hooks get high marks for multipurpose use. And just for enjoyment, wooden market-like baskets store Edufun toys, are arranged on freestanding shelves for small kids to choose from.

The three attractive wooden hutch style shelving units for toy display wouldn’t be a choice, Selena mentioned, “Because without light they don't advertise product very well.”

A custom built fixture applied to a column in the center of the shop displays rubber banded hat/T-shirt combos, the hot seller at the Cargo Hold shop in Ripley’s Aquarium Cargo in Myrtle Beach, S.C. The four-tier assemblage resembles a ship porthole, or lookout tower. “It fits in well with the whole cargo hold theme inside of a ship,” said John Mula, a retail manger who definitely prefers a table display for fixturing. That way, there is no set spot for things, nothing fixed with arms or pegs, rather, items can be spread out uniquely and changed weekly.

The table is simple and leaves room for incorporating further ship décor, such as brown and neutral colored crates brimming with stuffed animals, turned sideways on top of tables with various items displayed in and around them.

Mula intends to add more of the table units, custom built in-house, nothing purchased, in various heights, and rounding the edges of the square tables.

“It’s not just about fixture, its how everything is set up on it,” attests Mula. It’s up to the stock supervisor and employees to merchandise attractively, he added. “That’s why flat table works best for us because we have really good employees that know how to merchandise. No pegs on a wall or toys in a straight line, which doesn’t look like anybody spent any time with it. I like it to jump out at you.” That’s the merchandise, not the animals.













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